cresc... planned • 16 – 25 Feb 2O24

Alexander SchubertAlexander Schubert
Brad LubmanBrad Lubman
Brigitta MuntendorfBrigitta Muntendorf
Christian JaksjøChristian Jaksjø
Cocoon DanceCocoonDance
Ensemble ModernEnsemble Modern
Friederike BrendlerFriederike Brendler
George BenjaminGeorge Benjamin
Gil Monteagudo RuizGil Monteagudo Ruiz
Hendrika EntzianHendrika Entzian
Hermann Kretzschmarhermann Kretzschmar
hr-Bigbandhr-Bigband
hr-Sinfonieorchesterhr-Sinfonieorchester
IEMA Ensemble 2023/24IEMA-Ensemble 2023/24
Jeaduk KimJeaduk Kim
Jim McNeelyJim McNeely
John HollenbeckJohn Hollenbeck
Lawrence PowerLawrence Power
Luke PoeppelLuke Poeppel
Matthias RiekerMatthias Rieker
Megumi KasakawaMegumi Kasakawa
Michael HopeMichael Hope
NEKO3NEKO3
Niels KleinNiels Klein
Norbert OmmerNorbert Ommer
Po-Chien LiuPo-Chien Liu
Polina KorobkovaPolina Korobkova
Rafaele GiovanolaRafaële Giovanola
Rebecca SaundersRebecca Saunders
Ryoji IkedaRyōji Ikeda
Sofia GubaidulinaSofia Gubaidulina
Stefan AsburyStefan Asbury
Sunghyun LeeSunghyun Lee
Sylvain CambrelingSylvain Cambreling
Tania LeónTania León
Yann RobinYann Robin
Yannik MayaudYannick Mayaud
Yasuhiro ChidaYasuhiro Chida
Żaneta RydzewskaŻaneta Rydzewska
Gil Monteagudo Ruiz

Artist

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cresc... planned

Gil Monteagudo Ruiz

Gil Monteagudo studies composition with a focus on contemporary music at the conservatory of Gennevilliers with José Manuel López López and is completing his artistic research at the department of musicology at the University of Paris 8, where students are educated as researcher-composers, encouraging students to let their research and musical practice influence each other.

Monteagudo’s research focus lies on the concept of time. In his first-year thesis, he developed an introduction to temporal harmonics and the link between frequency and tempo, supervised by Alain Bonardi and Makis Solomos. The main goal was to propose technical tools for composers who want to explore this way of thinking about time in music, and to how these tools can be applied to a score.

For his second-year thesis, he will go deeper in the study of the temporal harmonics and their link with metrical modulations. The purpose of the master’s research will be to propose the idea of harmonic time, not only as a conceptual idea, but also as an array of tools that composers can implement.

Since 2020, Monteagudo has been composing pieces for the ensemble 2e2m, the ensemble Cairn, the ensemble TM+, the ensemble Sinkro, the trio KDM, the ensemble Nomos, the ensemble Edgar-Varèse and the ensemble Les Offrandes, among others.

He holds a bachelor’s degree in classical guitar with high honours as well as a bachelor’s in computer-assisted composition from the University of Paris 8, where he studied with Anne Sèdes, Alain Bonardi and José Manuel López López.