Alexander Schubert
Brad Lubman
Brigitta Muntendorf
Christian Jaksjø
CocoonDance
Ensemble Modern
Friederike Brendler
George Benjamin
Gil Monteagudo Ruiz
Hendrika Entzian
hermann Kretzschmar
hr-Bigband
hr-Sinfonieorchester
IEMA-Ensemble 2023/24
Jeaduk Kim
Jim McNeely
John Hollenbeck
Lawrence Power
Luke Poeppel
Matthias Rieker
Megumi Kasakawa
Michael Hope
NEKO3
Niels Klein
Norbert Ommer
Po-Chien Liu
Polina Korobkova
Rafaële Giovanola
Rebecca Saunders
Ryōji Ikeda
Sofia Gubaidulina
Stefan Asbury
Sunghyun Lee
Sylvain Cambreling
Tania León
Yann Robin
Yannick Mayaud
Yasuhiro Chida
Żaneta Rydzewska
Artist
© Wonge BergmannNorbert Ommer
Norbert Ommer studied piano and clarinet in Cologne followed by studies of music and telecommunication engineering at the Robert Schumann Hochschule in Düsseldorf where he graduated as image and sound engineer. Already during his studies, he worked as a freelance radio and television sound engineer. Starting in 1990 to this day, a regular co-operation began with the Ensemble Modern as director of sound - becoming shareholder in 1997 – and at the same time with the WDR (West Deutscher Rundfunk) and since 2014 with the Frankfurt Radio Big Band (hr-Bigband) and Frankfurt Radio Symphony (hr-Sinfonieorchester).
Internationally he became known for his work as sound designer and director of sound for world premieres by Frank Zappa (›The Yellow Shark‹, ›Greggery Peccary & other persuasions‹), Heiner Goebbels (›Surrogate Cities‹, ›Black on White‹, ›Industry and Idleness‹, ›Eislermaterial‹, ›Walden‹ and ›Landschaft mit entfernten Verwandten‹), Steve Reich (›Proverb‹, ›City Life‹, ›Three Tales‹, ›You are‹, ›The Cave‹), Michael Brecker ›Some Skunk Funk‹, Patti Austin ›Avant Gershwin‹, Joe Zawinul ›Brown Street‹, Michael Gordon (›Decasia‹, ›Shelter‹) and Ryuichi Sakamoto & Carsten Nicolai ›utp‹, Helmut Lachenmann & Robert Wilson ›Das Mädchen mit den Schwefelhölzern‹, Louis Andriessen ›De Materie‹.
In November 2002 Norbert Ommer was awarded the ›Golden Bobby‹. For the first time, this prize was awarded by the VDT (Verband Deutscher Tonmeister) for outstanding accomplishments in sound design and sound direction. In October 2004 he received the Echo Classic Award together with the Ensemble Modern. Early 2003 he began working with the Berlin Philharmonic under the direction of Sir Simon Rattle, a collaboration that continues until today.
Also in December 2003 he began his work as lecturer for sound directing at the International Ensemble Modern Academy and Hochschule für Musik und Darstellende Kunst in Frankfurt am Main and is conducting seminars for sound design in Tokyo for Tokyo Wonder Site and Schwaz/Innsbruck for Klangspuren ever since 2005. Since 2019 he has been teaching at the Hochschule der Künste in Berlin. Norbert Ommer is contributing to numerous international festivals like Wien Modern, Bregenz Festspiele, Festival d'Automne in Paris, Ars Musica Brussels, Holland Festival, Salzburger Festspiele, BBC Proms, Donaueschinger Musiktage, Montreux Jazzfestival, Edinburgh International Festival, Lincoln Center Festival, North Sea Jazzfestival Amsterdam, Telstra Adelaide Festival, Park Avenue Armory New York and many others.